It’s funny how memories work — at least for me. I find it fascinating, and a little mysterious, what stirs a memory, and how that memory connects to something happening in the present. And how ideas connect and converge. I guess that’s wisdom, which I will be talking about on Sunday. Catching and connecting the ideas, memories, and conversations that are floating around in one’s head.
Pat, retired after working as a recording engineer with CBC radio for 35 years, now does contract work in the sound industry. He is part of the technical crew with 22 Minutes, and he continues to do work with CBC, from live music shows to many other events and shows. He also does a variety of live shows at venues around town, particularly with The Lighthouse … everything from dance groups to conventions to live groups.
This week he was working on the two Billy Bragg concerts at the Lighthouse. Both shows were sold out. After last night’s show I asked him if he performed Ode to Joy, which he did not. I proceeded to tell him the little bit that I knew about Billy Bragg, whom Wikipedia describes as an “English singer, songwriter, musician, author and political activist.” And, that he was quite prominent in a worship resource I used about 6 years ago.
In Advent in 2020 (during our “Covid times”) we used a worship resource called “I Believe”. It was written in the midst of both the pandemic, and the Black Lives Matter movement. Its focus was on music, art and film, and how they sustain and inspire people during difficult times. The suggested documentaries to watch and talk about each week were chosen to connect with current realities.
One week we looked at the documentary called “Defiant Requiem”, a feature-length documentary film that highlights the most dramatic example of intellectual and artistic courage in the Terezín Concentration Camp during World War II: the remarkable story of Rafael Schächter, a brilliant, young Czech conductor who was arrested and sent to Terezín in 1941.
Schächter demonstrated moral leadership under the most brutal circumstances, determined to sustain courage and hope for his fellow prisoners by enriching their souls through great music. His most extraordinary act was to recruit 150 prisoners and teach them Verdi’s Requiem by rote in a dank cellar using a single score, over multiple rehearsals, and after grueling days of forced labor.
The Requiem was performed on 16 occasions for fellow prisoners. The last, most infamous performance occurred on June 23, 1944 before high-ranking SS officers from Berlin and the International Red Cross to support the charade that the prisoners were treated well and flourishing.
The film includes testimony provided by surviving members of Schächter’s choir, soaring concert footage, cinematic dramatizations, and evocative animation. And, it explores the singers’ view of the Verdi as a work of defiance and resistance against the Nazis.
The text of the Requiem Mass enabled them, as Schächter told the chorus, to “sing to the Nazis what they could not say to them.”
Another week, the film was “Following the Ninth”, a documentary film about the global impact of Beethoven’s final symphony. Released in mid-2013, it screened in over 250 cities around the globe. Written in 1824, near the end of Beethoven's life, the Ninth Symphony was composed by a man with little to be thankful for. Sick, alienated from almost everyone, and completely deaf, Beethoven had never managed to find love, nor create the family he’d always wanted. And yet, despite this, he managed to create an anthem of joy that embraces the transcendence of beauty over suffering.
Celebrated to this day for its ability to heal, repair, and bring people together across great divides, the Ninth has become an anthem of liberation and hope that has inspired many around the world:
• At Tiananmen Square in 1989, students played the Ninth over loudspeakers as the army came in to crush their struggle for freedom.
• In Chile, women living under the Pinochet dictatorship sang the Ninth at torture prisons, where men inside took hope when they heard their voices.
• As the Berlin Wall came down in December 1989, it collapsed to the sound of Leonard Bernstein conducting Beethoven’s Ninth as an “Ode To Freedom.”
• In Japan each December, the Ninth is performed hundreds of times, often with 10,000 people in the chorus.
You can watch the full movie on youtube at https://youtu.be/EhZODfxCj6Q?si=yALgp1XGHH-oIgcI In the first 4 minutes of the film, former punk rocker Billy Bragg recounts how he came to write English lyrics, which have been performed by school children and even once for the Queen.
If you just want to hear Bragg sing the song:
https://youtu.be/Hpil3INUlpY?si=wOeXznRbGvi9-sD0
And here’s what the wonderful Bill Moyers of PBS had to say about the film:
https://youtu.be/vj6j_7iiUYQ?si=yqWDfai6z-vzRsHE
It all relates to what I will be (hopefully) talking about on Sunday. As we remember that it is Indigenous Day of Prayer, and also the summer solstice … we will hear scriptures that celebrate the wisdom of the world that has always been present.
As I was pondering what story might appeal to all ages to complement the scriptures, Dana reminded me of the 7 Sacred Teachings of indigenous peoples. I was reminded of one of the hundreds of books on my kindle called “The Seven Sacred Teachings” … and a short video I showed once during a service where children sing about the teachings. I would rather show you the film … but you will have to be content with me reading the transcript of the video on Sunday. But it is lovely … and you can find it here:
https://www.youtube.com/watch?v=NOm0RG2oZI0
thanks Dana … for jogging my memory. And helping me make connections to what I already knew.
I will also share memories of Our Lady of Wisdom Chapel, (pictured below), where I spent countless hours when I was Ecumenical Chaplain at Mount St. Vincent University for 11 years. Thankfully I found some pictures buried deep in an MSVU communication, because the chapel doesn’t exist anymore.
Hope to see you all on Sunday
Many Blessings
Martha
